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To realize a vision in décor that would match his concept of fashion, Dior turned to the talents of his two friends Victor Grandpierre and .
Parisian designers Victor Grandpierre and Georges Geffroy came from fashion backgrounds, which made them exceptionally well suited to create interiors for . To realize a vision in décor that would match his concept of fashion, Dior turned to the talents of his two friends Victor Grandpierre and Georges Geffroy.Parisian designers Victor Grandpierre and Georges Geffroy came from fashion backgrounds, which made them exceptionally well suited to create interiors for Dior. by Stephanie Murg. To realize a vision in decor that would match his concept of fashion, Dior turned to the talents of his two friends Victor Grandpierre and Georges Geoffroy. Grandpierre had been a fashion photographer, and Geoffroy was a silent film set designer and designer for Jean Patou.
Maureen Footer, a historian specializing in the French decorative arts, seeks to shed a new light on the friendship between the three men in her book “ Dior and His Decorators: Victor.
Like the luxurious fashions of Dior’s New Look, which debuted in 1947, the interior designs of Victor Grandpierre and Georges Geffroy infused a war-weary world with a sumptuous new. Victor Grandpierre and Georges Geffroy were much more than the interior designers for his home; they were personal friends and professional colleges of Dior. It was Geffroy who introduced Dior to the world of couture.
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Georges Geffroy, an aesthete and connoisseur of eighteenth-century antiques, shepherded Dior into the couture world with an introduction to the couturier Robert Piguet in 1937. But instead of snarking on Twitter, she continues, couturier Christian Dior and two friends—the charming Grandpierre, a former photographer; the melancholic Geffroy, an ex–fashion designer .Dior and His Decorators: Victor Grandpierre, Georges Geffroy, and the New Look by Maureen Footer is a groundbreaking account of the two men responsible for the aesthetic and evolution of Dior's personal residences, as well as his couture fashion house and the Dior brand as a whole.Like the unabashedly luxurious fashions of Dior’s New Look, which debuted in 1947, the interior designs of Victor Grandpierre and Georges Geffroy infused a war-weary world with a sumptuous new aesthetic—a melding of the refined traditions of the past with a .
To realize a vision in décor that would match his concept of fashion, Dior turned to the talents of his two friends Victor Grandpierre and Georges Geffroy.Parisian designers Victor Grandpierre and Georges Geffroy came from fashion backgrounds, which made them exceptionally well suited to create interiors for Dior. by Stephanie Murg.
To realize a vision in decor that would match his concept of fashion, Dior turned to the talents of his two friends Victor Grandpierre and Georges Geoffroy. Grandpierre had been a fashion photographer, and Geoffroy was a silent film set designer and designer for Jean Patou. Maureen Footer, a historian specializing in the French decorative arts, seeks to shed a new light on the friendship between the three men in her book “ Dior and His Decorators: Victor.
Like the luxurious fashions of Dior’s New Look, which debuted in 1947, the interior designs of Victor Grandpierre and Georges Geffroy infused a war-weary world with a sumptuous new. Victor Grandpierre and Georges Geffroy were much more than the interior designers for his home; they were personal friends and professional colleges of Dior. It was Geffroy who introduced Dior to the world of couture.
Georges Geffroy, an aesthete and connoisseur of eighteenth-century antiques, shepherded Dior into the couture world with an introduction to the couturier Robert Piguet in 1937. But instead of snarking on Twitter, she continues, couturier Christian Dior and two friends—the charming Grandpierre, a former photographer; the melancholic Geffroy, an ex–fashion designer .Dior and His Decorators: Victor Grandpierre, Georges Geffroy, and the New Look by Maureen Footer is a groundbreaking account of the two men responsible for the aesthetic and evolution of Dior's personal residences, as well as his couture fashion house and the Dior brand as a whole.
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